The performance One Can’t Please the World, based on a story of the same name, deals with a problem people constantly face, in spite of the mankind’s technological development, and that is other people’s opinions, which can be superficial and judgmental. Wanting to please the world, we change our actions, instead of standing behind them, firmly and with reason.
Using a unique combination of partner acrobatics, puppetry and theatrical narration, we want to present and confront precisely different stage opinions. Whether it be a skill that we often encounter in modern circus, such as partner acrobatics, or puppetry, which is undeservedly associated with theater for the youngest children, to fairytale narration techniques that shift every action to a distant world in which anything is possible.